An exhibition celebrating the force, wit, tenderness and unmistakable presence of B. Robert Moore. At Atlanta Art Fair, a vivid body of work invites us to look again—and look closer.
Born in Des Moines, Iowa, in 1983, B. Robert Moore once worked as a corporate IT manager. Painting became part of confronting personal adversity and recovery, opening a path to a practice shaped by memory, resilience and joy.
In 2023, his Thinkspace Projects exhibition Out the Mud: A Black American Rite of Passage sold out. In 2024, In Loving Memory became his first solo museum exhibition at the Des Moines Art Center, which acquired Kin to War for its permanent collection. A work by Moore has also been acquired by the Smithsonian for permanent display.
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
Community Reparations II · unique 1/1 · 2025 · 24 × 30 in
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
Community Reparations II · unique 1/1 · 2025 · 24 × 30 in
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
Community Reparations II · unique 1/1 · 2025 · 24 × 30 in
B. Robert Moore · Original acrylic on canvas · Stretched on pine wood stretcher frame · Hand-signed, titled and dated on verso · Available through APC ART · Acquisition inquiries available
12 × 12 in (30.48 × 30.48 cm); Chapter III approx. 18 × 23 in unstretched / 16 × 20 in stretched
Community Reparations II · unique 1/1 · 2025 · 24 × 30 in
Join APC ART at Atlanta Art Fair, October 1–4, 2026, at Pullman Yards in Atlanta. Make time to experience the work in person.
Request a collector preview and discover the works of B. Robert Moore at Atlanta Art Fair.
Painting became a means of confronting adversity and recovery.
Born in Des Moines, Iowa, in 1983, Moore is a former corporate IT manager who turned to painting while confronting personal adversity and recovery.
His sold-out 2023 Thinkspace Projects exhibition, Out the Mud: A Black American Rite of Passage, was followed by the Des Moines Art Center's 2024 first solo museum exhibition, In Loving Memory, and acquisition of Kin to War. A work was acquired by the Smithsonian for permanent display.
Four original acrylic paintings on canvas, each 12 × 12 in.
Different Strokes, Different Folks · 12 × 12 in.
Acrylic on canvas, approximately 18 × 23 in unstretched / 16 × 20 in stretched.
Community Reparations II · Orange, Blue, Yellow and Teal · four unique 1/1 works · acrylic on canvas · 24 × 30 in · 2025.
Community Reparations II Edition · Yellow and Orange · archival pigment print on Arches Aquarelle fine-art paper, hand-finished with acrylic and oil stick · unique 1/1 · 24 × 18 in.
Selected works from APC ART.
Acrylic on canvas · 30 × 40 in · Executed for the 2026 Atlanta Art Fair.
Exclusively for the A. With love, B. Moore.
Available through APC ART
INQUIRE ABOUT THIS WORKOctober 1–4, 2026 · Pullman Yards · Atlanta, Georgia
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